Cal Jacobson's Blog

ConnectedText on Ubuntu

If you’re a fan of ConnectedText like I am, you might be interested in knowing that you can get this Windows-only application to run on Linux thanks to WINE.   I found it to be surprisingly simple; as the attached screenshot will attest I have CT 3.0.0.5 running on my Ubuntu 8.04 system.  Here’s how you do it.

• Install WINE.  An overview of what this program is can be found here at Wikipedia, if you’re curious.  Obviously, how you install WINE will vary from system to system, though on Ubuntu (in my opinion one of the most user-friendly Linux distributions out there) you can simply go to “Add/Remove…” under the “Applications” menu item, search for “WINE”, check a box, and click a button.
• Download the ConnectedText installation program from this website and save it somewhere on your system.
• Using a command-line terminal (in Ubuntu this is found at Applications -> Accessories -> terminal), cd (change directory) to the location you saved ConnTextSetup.exe.
• Type wine ConnTextSetup.exe (and hit return/enter) to start the CT installation program under WINE.  Follow the installation instructions as normal.
• With a little luck, the installation will complete without a problem.  You should then be able to start CT via WINE — follow your system-specific directions.  On Ubuntu, this is simply a matter of going to Applications -> Wine->Programs -> ConnectedText -> ConnectedText.

There are some differences, of course.  Some CT plugins, such as Ploticus and Graphviz, do not work (RSS, Tex and Highlight appear to be fine for me, however).  Text on some pages may appear odd — I’ve noticed some minor layout issues involving links.

It’s not perfect but it’ll do in a pinch.

The whole family went to see WALL·E on Sunday and I think we got our money’s worth.  As usual, Pixar produced a movie with a decent story — something that has been increasingly rare in Hollywood over the last 20 years.

(Minor spoilers follow: consider yourself warned.)

One thing I’ve really enjoyed about Pixar’s movies are the shorts they show beforehand.  I think the one this time around, Presto, is probably their best to date — lots of physical comedy in the Loony Tunes vein.

WALL·E itself is also a step up from their previous work, though I think more in a technical sense than a storytelling one.  Not only have the animators given a (mostly) voiceless, boxy robot character and emotion, but they appear to have overcome a major issue with CGI: dirt.

Yes, dirt.

I’ve heard that every Pixar film has at least one major technical challenge: in Monsters, Inc. it was hair, in Finding Nemo it was water, in Ratatouille it was supposedly food.  If this film had a technical challenge, my money is on dirt — there was a lot of it and it looked as great as dirt can.

My only criticism of the movie involves the use of live-action footage: some of the 1969 movie version of Hello, Dolly! and some of actor Fred Willard as a company CEO.  Both seemed very out of place in a production by a company that has animated numerous human and dancing characters in the past.  My initial reaction after leaving the theater was that it smacked of simple laziness on the part of Pixar, but now I’m of the mind that it was just a very poor decision by director Andrew Stanton (who previously directed Finding Nemo).

I’ve heard that there has been squawking in various circles about a heavy-handed message in the movie, and to be honest when I saw the first trailer eons ago that was my first impression.  But WALL·E is nowhere near the club-you-over-the-head territory that Happy Feet was, thank God.  The movie may flirt with the boundary between story and propoganda, but it doesn’t cross it.  I’m sure some folks will be put off by the notion that the future is populated by fat, materialistic humans…but I wasn’t.  I think there’s some truth there, but the manner in which it is presented is unlikely to cause Junior to renounce worldly goods and embark on a lifetime of communal living.

I strongly recommend going to see the movie if you’ve enjoyed Pixar’s previous films.  Now if we could only get them to can the forthcoming Cars 2 in favor of an Incredibles sequel.

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